Lorraine Glessner

 

Lorraine Glessner

Lorraine is a former Assistant Professor at Tyler School of Art, a workshop instructor and an award-winning artist. Lorraine Glessner’s love of surface, pattern, markmaking and image has led her to combine disparate materials and processes in her work such as silk, wood, wax, pyrography and rust. She has a diverse art background with skills that include painting, sculpture, photography and digital imaging. Recent professional achievements include curating With Wax: Materiality & Mixed Media in Encaustic at Chester County Art Association in West Chester, PA, a Grand Prize Award from the show (re)Building, Atlantic Gallery, New York, NY and a recently appointed position as a Tier Artist at R&F Paints. Lorraine's work is included in many mixed media and encaustic books including, Encaustic Art in the 21st Century by Ashley Rooney and Nuance, a curated book by artist, Michelle Stuart. Her work is exhibited locally and nationally in galleries, museums, craft centers, universities, Fine Art Shows and more. Lorraine brings to her teaching a strong interdisciplinary approach, mixed with a balance of concept, process, experimentation and discovery.

You can view Lorraine’s work at:

www.lorraineglessner.net

www.instagram.com/lorraineglessner1

 

Class Details


 

The 5 Most Common Encaustic Painting Woes & How to Fix Them

I’ve been teaching encaustic painting since 2005 and throughout my teaching I have noticed five major recurring issues, problems and mistakes that many (beginner to advanced) encaustic painters encounter. Application, temperature, translucency, fusing and composition issues are the infamous five problems. Even more of a problem is that these issues are difficult to pinpoint as some beginning painters may think it’s just the medium itself and give up before they really get started. Intermediate and advanced painters may have learned to adapt, but still end up getting frustrated. Encaustic is an amazing painting medium and it’s so sad when I hear that artists have given it up because of a problem that could have easily been fixed with knowing only one useful tip. If you’re having some painting bothers (with encaustic medium and/or pigmented encaustic paint), don’t throw down your brushes in disgust just yet…watch this video for the rescue.

Lee L